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      <image:title>EB</image:title>
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  <url>
    <loc>https://www.evertonbarreiro.com/articles</loc>
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    <lastmod>2021-02-21</lastmod>
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  <url>
    <loc>https://www.evertonbarreiro.com/articles/2019/6/19/whitechapel-gallerys-queer-spaces-london-1980s-today</loc>
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    <priority>0.5</priority>
    <lastmod>2019-06-20</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1560986272817-0AI73R6OSL57SCLGEHDQ/queer_spaces_1.jpg</image:loc>
      <image:title>Articles - Whitechapel Gallery’s Queer Spaces: London, 1980s - Today - Gentrification, Sex and Queer Disruption</image:title>
      <image:caption>1. Archival image, Urban Laboratory, UCL. Queer Spaces: London, 1980s - Today. Courtesy of the Whitechapel Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1560988572527-EHC5COHDL0PF42CP6JMG/queer_spaces_6.jpg</image:loc>
      <image:title>Articles - Whitechapel Gallery’s Queer Spaces: London, 1980s - Today - Gentrification, Sex and Queer Disruption</image:title>
      <image:caption>2. Archival image featuring performer Soroya Marchelle, Urban Laboratory, UCL. Queer Spaces: London, 1980s - Today. Courtesy of the Whitechapel Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1560986550514-OWTL57WSGDU8O1AXMM5K/queer_spaces_2.jpg</image:loc>
      <image:title>Articles - Whitechapel Gallery’s Queer Spaces: London, 1980s - Today - Gentrification, Sex and Queer Disruption</image:title>
      <image:caption>3. Helix IV, Prem Sahib, 2018. Queer Spaces: London, 1980s - Today. Courtesy of the Whitechapel Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1560988266935-COQB9SO205N46BB7833W/queer_spaces_5.jpg</image:loc>
      <image:title>Articles - Whitechapel Gallery’s Queer Spaces: London, 1980s - Today - Gentrification, Sex and Queer Disruption</image:title>
      <image:caption>4. Shoe Mirror (Blue), Tom Burr, 2006. Queer Spaces: London, 1980s - Today. Courtesy of the Whitechapel Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1560986769624-7CP0NUOPQ1F9DSYAQAEB/01_A3_gloss.jpg</image:loc>
      <image:title>Articles - Whitechapel Gallery’s Queer Spaces: London, 1980s - Today - Gentrification, Sex and Queer Disruption</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1560986850499-RU6D5YK0ESRSGHMOFHDX/02_A3_gloss.jpg</image:loc>
      <image:title>Articles - Whitechapel Gallery’s Queer Spaces: London, 1980s - Today - Gentrification, Sex and Queer Disruption</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1560986900711-46A209RNLQ7Y08HH7QRT/queer_spaces_4.jpg</image:loc>
      <image:title>Articles - Whitechapel Gallery’s Queer Spaces: London, 1980s - Today - Gentrification, Sex and Queer Disruption</image:title>
      <image:caption>5. Public Toilets, Ralph Dunn, 2006. Queer Spaces: London, 1980s - Today. Courtesy of the Whitechapel Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1560987066807-88AFKND5WE0HE8PIFN4F/queer_spaces_5.jpg</image:loc>
      <image:title>Articles - Whitechapel Gallery’s Queer Spaces: London, 1980s - Today - Gentrification, Sex and Queer Disruption</image:title>
      <image:caption>6. The Scarcity of Liberty #2, Hannah Quinlan and Rosie Hastings, 2016. Queer Spaces: London, 1980s - Today. Courtesy of the Whitechapel Gallery.</image:caption>
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  <url>
    <loc>https://www.evertonbarreiro.com/articles/2019/2/15/latin-american-art-beyond-the-fairs-galleries-and-stereotypes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1550245682579-I2TLV7DPNEG9P01VGHWR/Marcius+Galan%2C+%27Line+Weight+II%27+%282018%29+-+photo+Andrea+Rossetti-46.jpg</image:loc>
      <image:title>Articles - Latin American Art: beyond the fairs, galleries and stereotypes</image:title>
      <image:caption>1. Line Weight II, Marcius Galan, 2018. Galeria Luisa Strina, São Paulo. Image: Andrea Rosetti. Courtesy of Galeria Luisa Strina.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1550246028314-BVF18CR1E97WXIRNZOU8/Anna+Maria+Maiolino%2C+%27By+a+Thread%27%2C+from+Fotopoemac%CC%A7a%CC%83o+series+%281976%29-44.jpg</image:loc>
      <image:title>Articles - Latin American Art: beyond the fairs, galleries and stereotypes</image:title>
      <image:caption>2. By a Thread, Anna Maria Maiolino, 1976/2012. Galeria Luisa Strina, São Paulo. Courtesy of Galeria Luisa Strina.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1550246345636-55NTTCWH616QHX98VDLH/Fernanda+Gomes+-+foto+Pat+Kilgore+2017-48.jpg</image:loc>
      <image:title>Articles - Latin American Art: beyond the fairs, galleries and stereotypes</image:title>
      <image:caption>3. Untitled, Fernanda Gomes, 2016. Galeria Luisa Strina, São Paulo. Image: Pat Kilgore. Courtesy of Galeria Luisa Strina.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1550246695956-N3X3GESPWW13YXOSILC8/Pedro+Reyes+-+%27Figa%27+%282017%29.jpg</image:loc>
      <image:title>Articles - Latin American Art: beyond the fairs, galleries and stereotypes</image:title>
      <image:caption>4. Figa, Pedro Reyes, 2017. Galeria Luisa Strina, São Paulo. Courtesy Galeria Luisa Strina.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1550247338138-8JMNC8UQQ5Z8EBSPSBM9/Nicola%CC%81s+Paris+%27Elementos+de+un+salo%CC%81n+de+clase+para+la+improvisacio%CC%81n%27+%282018%29+photo+Edouard+Fraipont.jpg</image:loc>
      <image:title>Articles - Latin American Art: beyond the fairs, galleries and stereotypes</image:title>
      <image:caption>5. Elementos de un salón de clase para la improvisación, Nicolás Paris, 2018. Galeria Luisa Strina, São Paulo. Courtesy of Galeria Luisa Strina.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1550248603431-JSKWCG3HCYMN5WFS93QS/Whitechapel+Gallery+Planton+Movil+Family+Day+and+Walk+High+Res-56-14.jpg</image:loc>
      <image:title>Articles - Latin American Art: beyond the fairs, galleries and stereotypes</image:title>
      <image:caption>6. Plantón Móvil, Lucía Monge - Nocturnal Creatures show - Whitechapel Gallery, London, 2018. Courtesy of the artist Lucía Monge.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1550248781372-HP7C40ZHQHG2UCMIZR5Y/Whitechapel+Gallery+Planton+Movil+Family+Day+and+Walk+Low+Res-129-16.jpg</image:loc>
      <image:title>Articles - Latin American Art: beyond the fairs, galleries and stereotypes</image:title>
      <image:caption>7. Plantón Móvil, Lucía Monge - Nocturnal Creatures show - Whitechapel Gallery, London, 2018. Courtesy of the artist Lucía Monge.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1550249153048-9RC97EXTTHMFGBSDUPXH/3_Andrea+Galvani+%C2%A9+Instruments+for+Inquiring+into+the+Wind+and+the+Shaking+Earth-20.jpg</image:loc>
      <image:title>Articles - Latin American Art: beyond the fairs, galleries and stereotypes</image:title>
      <image:caption>8. Instruments for Inquiring into the Wind and the Shaking Earth, Andrea Galvani, 2018. For Revolver Galería (Lima/Buenos Aires) at Frieze London, 2018. Courtesy of Revolver Galería.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1550249246298-KBKKM7HH1RP008ZBLAQ5/2_Andrea+Galvani+%C2%A9+Instruments+for+Inquiring+into+the+Wind+and+the+Shaking+Earth-22.jpg</image:loc>
      <image:title>Articles - Latin American Art: beyond the fairs, galleries and stereotypes</image:title>
      <image:caption>9. Instruments for Inquiring into the Wind and the Shaking Earth, Andrea Galvani, 2018. For Revolver Galería (Lima/Buenos Aires) at Frieze London, 2018. Courtesy of Revolver Galería.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1550250130522-UCO9AKWKUFC6QW720XLY/Alexandre+da+Cunha%2C++%27Tete+a%CC%80+Tete+IV%27+%282018%29+-+Photo+by+Renato+Ghiazza-12.jpg</image:loc>
      <image:title>Articles - Latin American Art: beyond the fairs, galleries and stereotypes</image:title>
      <image:caption>10. Tete à Tete, Alexandre da Cunha, 2018. Galeria Luisa Strina, São Paulo. Image: Renato Ghiazza. Courtesy of Galeria Luisa Strina.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1550250419156-SBD68Z27QCHIDAP2Z6UI/Drum+VIII%2C+2013+%281%29-10.jpg</image:loc>
      <image:title>Articles - Latin American Art: beyond the fairs, galleries and stereotypes</image:title>
      <image:caption>11. Full Catastrophe (Drum VIII), Alexandre da Cunha, 2012 - Tate. Image: Todd White Photography. Courtesy of artist Alexandre da Cunha/Thomas Dane Gallery.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1550250711073-QJROCS49AI72ZSRCQ0C7/RG844c_0209_v3-26.jpg</image:loc>
      <image:title>Articles - Latin American Art: beyond the fairs, galleries and stereotypes</image:title>
      <image:caption>12. Galería OMR, Mexico City. Image: Rory Gardiner. Courtesy of Galería OMR.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1550250943549-86AYW6V43J2UJKAPGES2/JoseDa%CC%81vila.Meca%CC%81nica.OMR.EnriqueMacias-10-30.jpg</image:loc>
      <image:title>Articles - Latin American Art: beyond the fairs, galleries and stereotypes</image:title>
      <image:caption>13. Mecánica de lo inestable, Jose Dávila, 2018. Galería OMR, Mexico City. Image: Enrique Macías. Courtesy of Galería OMR.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1550251303220-Z0L31TBL1XS4TZSPHMO5/Gabriel.Rico.1-28.JPG</image:loc>
      <image:title>Articles - Latin American Art: beyond the fairs, galleries and stereotypes</image:title>
      <image:caption>14. By the artist Gabriel Rico - Galería OMR, Mexico City. Courtesy of Galería OMR.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1550253759599-Q0QQR1SJRU7TXQ3RWPRL/ArturLescher.Asterismos.OMR.EnriqueMacias-6.jpg</image:loc>
      <image:title>Articles - Latin American Art: beyond the fairs, galleries and stereotypes</image:title>
      <image:caption>15. Asterismos, Artur Lescher, 2018. Galería OMR, Mexico City. Image: Enrique Macías. Courtesy of Galería OMR.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1550254344836-PKZW1BMPI0FYD4V6SMS8/VIV+060-34.jpg</image:loc>
      <image:title>Articles - Latin American Art: beyond the fairs, galleries and stereotypes - 16.1 Pagode Quadri, Vivian Caccuri, 2018. A Gentil Carioca gallery, Rio de Janeiro. Courtesy of the artist Vivian Caccuri/A Gentil Carioca</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1550254366489-2PSVJRBRS7NTCD5958EO/VIV+045-36.jpg</image:loc>
      <image:title>Articles - Latin American Art: beyond the fairs, galleries and stereotypes - 16.2 Pagode Back Again, Vivian Caccuri, 2018. A Gentil Carioca gallery, Rio de Janeiro. Courtesy of the artist Vivian Caccuri/A Gentil Carioca</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1550255679545-7Q3CSN5E7F4TPN5S0XMZ/ARJ+062-42.jpg</image:loc>
      <image:title>Articles - Latin American Art: beyond the fairs, galleries and stereotypes</image:title>
      <image:caption>17. The Foreigner XXIII, Arjan Martins, 2017. A Gentil Carioca gallery, Rio de Janeiro. Courtesy of the artist Arjan Martins/A Gentil Carioca gallery.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1550256157066-339FQYDLMSM9ZL0PXBNF/MOD+127.jpg</image:loc>
      <image:title>Articles - Latin American Art: beyond the fairs, galleries and stereotypes</image:title>
      <image:caption>18. Constructive Cloth (Seringueira), João Modé, 2018. A Gentil Carioca gallery, Rio de Janeiro. Courtesy of the artist João Modé/A Gentil Carioca gallery.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1550256520083-KH58SAFSG1CYUIM7RVDT/MAX+091.jpg</image:loc>
      <image:title>Articles - Latin American Art: beyond the fairs, galleries and stereotypes</image:title>
      <image:caption>19. Só quando tu tá com as folhas geral gosta de salada da série Pardo é Papel, Maxwell Alexandre, 2018. A Gentil Carioca gallery, Rio de Janeiro. Courtesy of the artist Maxwell Alexandre/A Gentil Carioca gallery.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1550256829445-MZDZ72AT9GJV3HM3ENUC/Dalton+Paula_Joao+de+Deus+MASP+-50.jpg</image:loc>
      <image:title>Articles - Latin American Art: beyond the fairs, galleries and stereotypes</image:title>
      <image:caption>20. João de Deus, Dalton Paula, 2018. Afro-Atlantic Histories exhibition at Museu de Artes de São Paulo (MASP). Courtesy of MASP, São Paulo.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1550257417384-ZA6P1I1QKG8UD3J0UI4S/Rubens+Valentim+MASP+7+-52.jpg</image:loc>
      <image:title>Articles - Latin American Art: beyond the fairs, galleries and stereotypes</image:title>
      <image:caption>21. Rubem Valentim: Afro-Atlantic Constructions exhibition at Museu de Artes de São Paulo (MASP). Courtesy of MASP, São Paulo.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1550258393544-5MYTMERQ3MNZNOTEPD6M/IMGP6057-58.jpg</image:loc>
      <image:title>Articles - Latin American Art: beyond the fairs, galleries and stereotypes</image:title>
      <image:caption>22. By the artist Felipe Cohen, 2018. Kubik Gallery, Porto - London Art Fair. Courtesy of Kubik Gallery.</image:caption>
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      <image:title>Articles - Latin American Art: beyond the fairs, galleries and stereotypes</image:title>
      <image:caption>23. Solaris Polaris a, Lina Kim, 2018. Casanova Art Gallery, São Paulo - London Art Fair. Courtesy of Casanova Art Gallery.</image:caption>
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      <image:caption>24. Blue Brut c, Lina Kim, 2018. Casanova Art Gallery, São Paulo - London Art Fair. Courtesy of Casanova Art Gallery.</image:caption>
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      <image:caption>26. Untitled, Sérgio Sister, 2013. Galerie Emmanuel Hervé, Paris - London Art Fair. Courtesy of Galerie Emmanuel Hervé.</image:caption>
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      <image:caption>Courtesy of London Design Festival.</image:caption>
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      <image:caption>Time for Tea installation at Fortnum &amp; Mason, Scholten &amp; Baijins. Photo by Charles Emerson.</image:caption>
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      <image:caption>MultiPly by Waugh Thistelton Architects. Courtesy of London Design Festival.</image:caption>
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      <image:caption>Courtesy of Designjunction.</image:caption>
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      <image:caption>Radiance installation at London Design Biennale 2018. Courtesy of Haberdashery.</image:caption>
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      <image:caption>Mutual Collection, Modular by Mensah.</image:caption>
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      <image:caption>Courtesy of Kusheda Mensah.</image:caption>
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      <image:title>About</image:title>
      <image:caption>Portrait by Torsten Neeland</image:caption>
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  <url>
    <loc>https://www.evertonbarreiro.com/curatorial/project-1/brazils-soft-power</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-06-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1530218749571-JTKT0V70YZSRO7BR4VOK/19.jpg</image:loc>
      <image:title>Curatorial</image:title>
      <image:caption>1. Tarsila do Amaral, Workers, c. 1933, Acervo Artístico-Cultural dos Palácios do Governo do Estado de São Paulo. Tarsila do Amaral: Inventing Modern Art in Brazil, 2018, MoMA, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1530219303245-U2ST9FOHVOJU5M89MYSR/21.jpg</image:loc>
      <image:title>Curatorial</image:title>
      <image:caption>2. Flávio de Carvalho, Alameda Lorena Housing Complex, c. 1936 - 38. CEDAE Archive Universidade de Campinas - UNICAMP - SP</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1530219444931-YHBLG93MKHFKFPK63KCO/24.jpg</image:loc>
      <image:title>Curatorial</image:title>
      <image:caption>3.  Roberto Burle Marx, Mineral roof garden, Banco Safra Headquarters, 1983, São Paulo. Roberto Burle Marx - Brazilian Modernist, 2015, The Jewish Museum, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1530219713757-X33JO4SSDHU6WU2FZX7U/33.jpg</image:loc>
      <image:title>Curatorial</image:title>
      <image:caption>4. Flávio de Carvalho, in his 1956 New Look performing in the streets of São Paulo CEDAE Archives, Universidade de Campinas - UNICAMP - SP</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1529273800243-4Y8IQMUCFXCW177NHCUV/curatorial1.jpg</image:loc>
      <image:title>Curatorial</image:title>
      <image:caption>1. Tarsila do Amaral, Anthropophagy, c.1929, Acervo da Fundação José e Paulina Nemirovsky, Pinacoteca do Estado de São Paulo. Tarsila do Amaral: Inventing Modern Art in Brazil, 2018, MoMA, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1529273939826-EU64W9ELE755CZ7PJ710/curatorial2.jpg</image:loc>
      <image:title>Curatorial</image:title>
      <image:caption>2. Roberto Burle Marx, Interior Gardens at Itamaraty Palace, Ministry of Foreign Affairs, 1965, Brasília. Roberto Burle Marx Brazilian Modernist, 2015, The Jewish Museum, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1529274489029-Q7RR3WH3YC9GRWCA9CJC/curatorial3.jpg</image:loc>
      <image:title>Curatorial</image:title>
      <image:caption>3. Roberto Burle Marx, Landscape, c.1943, Brighton and Hove Museums and Art Galleries. The Art of Diplomacy - Brazilian Modernism Painted For War, 2018. Embassy of Brazil London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1529274730094-J6UUM2XFZLSTUN8IL40W/curatorial4.jpg</image:loc>
      <image:title>Curatorial</image:title>
      <image:caption>4. Magazine O Cruzeiro, 'The Truth Walked Naked', 1949. A Cidade do Homem Nu Exhibition curated by Inti Guerrero. Museu de Arte Moderna de São Paulo, 2010.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1529422154823-0BGLNC129G24SU9X3T2T/curatorial5.jpg</image:loc>
      <image:title>Curatorial</image:title>
      <image:caption>5. Beatriz Milhazes, Sonho Tropical - Rio Azul show, 2018, White Cube Gallery, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1529275021205-I92KFGNJYZ5ZM1F0TGV2/curatorial6.jpg</image:loc>
      <image:title>Curatorial</image:title>
      <image:caption>6. Tarsila do Amaral, Hill of the Favela, c.1924. Hecilda and Sérgio Fadel Collection, Rio de Janeiro. Tarsila do Amaral: Inventing Modern Art in Brazil, 2018, MoMA, New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.evertonbarreiro.com/projects/brazils-soft-power</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1529363401821-KIBJE3URA7EBNX7KXCYB/19.jpg</image:loc>
      <image:title>Brazil’s Soft Power - Modernity, Identity and Diplomacy</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1529361151720-5LJLV9AZY42MMYVFH459/1.jpg</image:loc>
      <image:title>Brazil’s Soft Power - Modernity, Identity and Diplomacy</image:title>
      <image:caption>1. Beatriz Milhazes, Rio Azul, White Cube Gallery, 2018, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1529361839753-40HR6CNZ69QC78G1532Z/2.jpg</image:loc>
      <image:title>Brazil’s Soft Power - Modernity, Identity and Diplomacy</image:title>
      <image:caption>2. Emiliano Di Cavalcanti, Woman from Bahia, n. d. Brighton and Hove Museums and Galleries. The Art of Diplomacy - Brazilian Modernism Painted For War, 2018. Embassy of Brazil London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1529361868769-ADQ612ELB4U5URB0EQW1/3.jpg</image:loc>
      <image:title>Brazil’s Soft Power - Modernity, Identity and Diplomacy</image:title>
      <image:caption>3. Gastão Worms, Still Life n. d. The Hepworth Wakefield. The Art of Diplomacy - Brazilian Modernism Painted For War, 2018. Embassy of Brazil London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1529361867895-VSYVRHFAB597Z3AIF2CJ/4.jpg</image:loc>
      <image:title>Brazil’s Soft Power - Modernity, Identity and Diplomacy</image:title>
      <image:caption>4. Exhibition Catalogue, Exhibition of Modern Brazilian Paintings, Royal Academy of Arts (London, 1944).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1529361872805-1QCL9EQUE0RHH3SUPXGF/5.jpg</image:loc>
      <image:title>Brazil’s Soft Power - Modernity, Identity and Diplomacy</image:title>
      <image:caption>5. H.R.H. The Duchess of Kent visits the Exhibition of Paintings by Brazilian artists at Burlington House, 1944, Royal Academy of Arts.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1529361983959-JCPIVM6SS8Y8WUPQ7PJJ/6.jpg</image:loc>
      <image:title>Brazil’s Soft Power - Modernity, Identity and Diplomacy</image:title>
      <image:caption>6. Exhibition of Brazilian Artists at Burlington House, 1944, Royal Academy of Arts</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1529362000513-TLS4EADE3YMZUMFTITRL/7.jpg</image:loc>
      <image:title>Brazil’s Soft Power - Modernity, Identity and Diplomacy</image:title>
      <image:caption>7. Lucy Citti Ferreira, Still Life with a Lamp, n.d., Manchester Art Gallery. The Art of Diplomacy - Brazilian Modernism Painted For War, 2018. Embassy of Brazil London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1529362023154-B7NVVFKSSUXX97BMFTVO/8.jpg</image:loc>
      <image:title>Brazil’s Soft Power - Modernity, Identity and Diplomacy</image:title>
      <image:caption>8. Thea Haberfeld, Landscape, c. 1943, Doncaster Museum and Art Gallery. The Art of Diplomacy - Brazilian Modernism Painted For War, 2018. Embassy of Brazil London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1529362093386-HX6Q7CDYYZHBFE8M8J0J/9.jpg</image:loc>
      <image:title>Brazil’s Soft Power - Modernity, Identity and Diplomacy</image:title>
      <image:caption>9. Artist Tarsila do Amaral at Galerie Percier, Paris July 1926, Arquivo do Instituto de Estudos Brasileiros da Universidade de São Paulo. Tarsila do Amaral: Inventing Modern Art in Brazil, 2018, MoMA, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1529362111583-C9KPGKAPZD0LKND0M3VI/10.jpg</image:loc>
      <image:title>Brazil’s Soft Power - Modernity, Identity and Diplomacy</image:title>
      <image:caption>10. A Negra, c. 1923, Tarsila do Amaral, Museu de Arte Contemporânea da Universidade de São Paulo. Tarsila do Amaral: Inventing Modern Art in Brazil, MoMA, 2018, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1529362175916-M4JU8WST5C7I117FJWGP/11.jpg</image:loc>
      <image:title>Brazil’s Soft Power - Modernity, Identity and Diplomacy</image:title>
      <image:caption>11. Tarsila do Amaral in her home c. 1930, Arquivo do Instituto de Estudos Brasileiros da Universidade de São Paulo. Tarsila do Amaral: Inventing Modern Art in Brazil, 2018, MoMA, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1529362183905-SDAMTYE0IIT5SJ1E7VMN/12.jpg</image:loc>
      <image:title>Brazil’s Soft Power - Modernity, Identity and Diplomacy</image:title>
      <image:caption>12. Candido Portinari, Dead Child c. 1944. Museu de Artes de São Paulo - MASP</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1529362262630-H0NMKM5YBUWSM550S8F3/13.jpg</image:loc>
      <image:title>Brazil’s Soft Power - Modernity, Identity and Diplomacy</image:title>
      <image:caption>13. Candido Portinari, Scarecrow c. 1940, The Mercer Art Gallery. The Art of Diplomacy - Brazilian Modernism Painted For War, 2018. Embassy of Brazil London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1529362271626-A3IU4IBGE7UHPAU7C03I/14.jpg</image:loc>
      <image:title>Brazil’s Soft Power - Modernity, Identity and Diplomacy</image:title>
      <image:caption>14. Tarsila do Amaral, Carnival in Madureira, c. 1924, Acervo da Fundação José e Paulina Nemirovsky | Pinacoteca do Estado de São Paulo. Tarsila do Amaral: Inventing Modern Art in Brazil, 2018, MoMA, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1529362286186-6PJ54OF9QY01YE3BGMJV/15.jpg</image:loc>
      <image:title>Brazil’s Soft Power - Modernity, Identity and Diplomacy</image:title>
      <image:caption>15. Tarsila do Amaral, Hill of the Favela, c. 1924, Hecilda and Sérgio Fadel Collection, Rio de Janeiro. Tarsila do Amaral: Inventing Modern Art in Brazil, 2018, MoMA, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1529362319728-RYSKVUZSR0MWLLD7Q31R/16.jpg</image:loc>
      <image:title>Brazil’s Soft Power - Modernity, Identity and Diplomacy</image:title>
      <image:caption>16. Tarsila do Amaral, The Papaya Tree, c. 1925, Coleção de Artes Visuais do Instituto de Estudos Brasileiros da Universidade de São Paulo. Tarsila do Amaral: Inventing Modern Art in Brazil, 2018, MoMA, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1529362331063-MDOSWMZ62K3YC76ZNQFU/17.jpg</image:loc>
      <image:title>Brazil’s Soft Power - Modernity, Identity and Diplomacy</image:title>
      <image:caption>17. José Ferraz de Almeida Júnior, O Derrubador Brasileiro, c. 1879. Museu Nacional de Belas Artes, Rio de Janeiro</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1529362376605-ZX6E8DHN1ZGAX1WJKBE9/18.jpg</image:loc>
      <image:title>Brazil’s Soft Power - Modernity, Identity and Diplomacy</image:title>
      <image:caption>18. Tarsila do Amaral, Anthropophagy, c. 1929, Acervo da Fundação José e Paulina Nemirovsky | Pinacoteca do Estado de São Paulo. Tarsila do Amaral: Inventing Modern Art in Brazil, 2018, MoMA, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1529362390999-IF9IJYJ7P30VZUR1PYK8/19.jpg</image:loc>
      <image:title>Brazil’s Soft Power - Modernity, Identity and Diplomacy</image:title>
      <image:caption>19. Tarsila do Amaral, Workers, c. 1933, Acervo Artístico-Cultural dos Palácios do Governo do Estado de São Paulo. Tarsila do Amaral: Inventing Modern Art in Brazil, 2018, MoMA, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1529362410804-6M3XRMZO95TY6HXB7VRZ/20.jpg</image:loc>
      <image:title>Brazil’s Soft Power - Modernity, Identity and Diplomacy</image:title>
      <image:caption>20. Flávio de Carvalho, Casa da Fazenda Capuava, 1938. CEDAE Archive Universidade de Campinas - UNICAMP - SP</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1529362440155-NEGO4P7FSBN1NDGO6BLF/21.jpg</image:loc>
      <image:title>Brazil’s Soft Power - Modernity, Identity and Diplomacy</image:title>
      <image:caption>21. Flávio de Carvalho, Alameda Lorena Housing Complex, c. 1936 - 38. CEDAE Archive Universidade de Campinas - UNICAMP - SP</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1529362452926-40N962AO86Z5MXH5AHZG/22.jpg</image:loc>
      <image:title>Brazil’s Soft Power - Modernity, Identity and Diplomacy</image:title>
      <image:caption>22. Roberto Burle Marx, Interior gardens, Itamaraty Palace, Ministry of Foreign Affairs, 1965, Brasília. Roberto Burle Marx - Brazilian Modernist, 2015, The Jewish Museum, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1529362469927-W9D95NPZ5T9DOSL414C7/23.jpg</image:loc>
      <image:title>Brazil’s Soft Power - Modernity, Identity and Diplomacy</image:title>
      <image:caption>23. Roberto Burle Marx, Detail to pavement tiles, 1970, Copacabana, Rio de Janeiro. Roberto Burle Marx - Brazilian Modernist, 2015, The Jewish Museum, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1529362480849-H70985NVDJY3Z9K3KHLE/24.jpg</image:loc>
      <image:title>Brazil’s Soft Power - Modernity, Identity and Diplomacy</image:title>
      <image:caption>24. Roberto Burle Marx, Mineral roof garden, Banco Safra Headquarters, 1983, São Paulo. Roberto Burle Marx - Brazilian Modernist, 2015, The Jewish Museum, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1529362562908-KDYNM8P9F3WG5LN8GDY2/25.jpg</image:loc>
      <image:title>Brazil’s Soft Power - Modernity, Identity and Diplomacy</image:title>
      <image:caption>25. Roberto Burle Marx, Landscape, c. 1943, Brighton and Hove Museums and Art Galleries. The Art of Diplomacy - Brazilian Modernism Painted For War, 2018. Embassy of Brazil London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1529362572865-FI1339I7TBSJYPBDWIDS/26.jpg</image:loc>
      <image:title>Brazil’s Soft Power - Modernity, Identity and Diplomacy</image:title>
      <image:caption>26. Roberto Burle Marx, Portrait of a young man, n. d., Kirklees Museums and Galleries. The Art of Diplomacy - Brazilian Modernism Painted For War, 2018. Embassy of Brazil London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1529362595267-0P41KFZGTLRLZ6K1K6EI/27.jpg</image:loc>
      <image:title>Brazil’s Soft Power - Modernity, Identity and Diplomacy</image:title>
      <image:caption>27. Lasar Segall, Lucy with Flower, c. 1939 - 42, Scottish National Gallery of Modern Art. The Art of Diplomacy - Brazilian Modernism Painted For War, 2018. Embassy of Brazil London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1529362611395-NUIC6GDI5JYBHWM3P4SD/28.JPG</image:loc>
      <image:title>Brazil’s Soft Power - Modernity, Identity and Diplomacy</image:title>
      <image:caption>28. Milton DaCosta, Head of a Girl, c. 1942, Plymouth Museums and Galleries. The Art of Diplomacy - Brazilian Modernism Painted For War, 2018. Embassy of Brazil London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1529363248814-OZDKG3R5UH3CQI6RWOJC/29.jpg</image:loc>
      <image:title>Brazil’s Soft Power - Modernity, Identity and Diplomacy</image:title>
      <image:caption>29. Cardoso Júnior, They Amuse Themselves, c. 1935 - 40, Tate. The Art of Diplomacy - Brazilian Modernism Painted For War, 2018. Embassy of Brazil London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1529362665616-KPJIQPETRONP70J4KMNB/30.jpg</image:loc>
      <image:title>Brazil’s Soft Power - Modernity, Identity and Diplomacy</image:title>
      <image:caption>30. Beatriz Milhazes, Rio Azul show, 2018, White Cube Gallery, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1529363179990-2WQWJUDIQM1CCAJWYV3Q/31.jpg</image:loc>
      <image:title>Brazil’s Soft Power - Modernity, Identity and Diplomacy</image:title>
      <image:caption>31. Beatriz Milhazes, Sonho Tropical - Rio Azul show, 2018, White Cube Gallery, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1529362707479-57PAA1JDHPHA1A2NS2C4/32.jpg</image:loc>
      <image:title>Brazil’s Soft Power - Modernity, Identity and Diplomacy</image:title>
      <image:caption>32. Flávio de Carvalho, in his 1956 New Look. CEDAE Archives, Universidade de Campinas - UNICAMP - SP</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1529362777450-DPOOW02ZECE1LDK3F7GV/33.jpg</image:loc>
      <image:title>Brazil’s Soft Power - Modernity, Identity and Diplomacy</image:title>
      <image:caption>33. Flávio de Carvalho, in his 1956 New Look performing in the streets of São Paulo CEDAE Archives, Universidade de Campinas - UNICAMP - SP</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1529363273427-2CICA3ZQG044R6ZNVJ3S/34.jpg</image:loc>
      <image:title>Brazil’s Soft Power - Modernity, Identity and Diplomacy</image:title>
      <image:caption>34. Magazine O Cruzeiro, 'The Truth Walked Naked’, 1949. A cidadedo homem nu, Inti Guerrero. Museu de Arte Moderna de São Paulo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1529363296706-0GRLVXQ8OJ04CVSI5AAJ/35.jpg</image:loc>
      <image:title>Brazil’s Soft Power - Modernity, Identity and Diplomacy</image:title>
      <image:caption>35. Thea Haberfeld, Fish, c. 1944, Calderdale Museums. The Art of Diplomacy - Brazilian Modernism Painted For War, 2018. Embassy of Brazil London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1529453592662-BL3TGJ3RHMI7FOGC1NKB/favicon.png</image:loc>
      <image:title>Brazil’s Soft Power - Modernity, Identity and Diplomacy</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.evertonbarreiro.com/review</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-06-20</lastmod>
  </url>
  <url>
    <loc>https://www.evertonbarreiro.com/projects</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1613936675500-875D8U39QAPGWMA873EK/19.jpg</image:loc>
      <image:title>Projects</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614121528203-0U8NBALLCUSAYD0BQ512/Cover-square.png</image:loc>
      <image:title>Projects</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.evertonbarreiro.com/projects/brazil-the-untold-story</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614168802017-ADJQ396VGVMTSRNSGC5C/Screenshot+2021-02-23+at+17.26.48.png</image:loc>
      <image:title>Brazil, the untold story</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614132546164-L2E106TX0XB2NSTTQB4F/IMG_2575.JPG</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>1. Alba Cristina Soares Ya Darabi. Image: Orquídea Marques</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614131331989-RBG8H9HN9ZYPXXHSJNDQ/Carlinhos+Brown+_+Por+Imas+Pereira+%281%29.jpg</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>2. Carlinhos Brown. Image: Imas Pereira</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614132240378-3XR9IDGDM46PL91NSG2S/Maxwell+Alexandre+por+Vito%CC%81ria+Proenc%CC%A7a+%40vitoriaproenca+.jpg</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>3. Maxwell Alexandre. Image: Courtesy of David Zwirner Gallery, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614131585037-MBEB7GH3ZCX5MD979OUG/RODNEY+28.JPG</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>4. Dr Rodney William. Image: Personal Archive</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614132609391-KHLASVUN62O6BGRV7BCI/Cre%CC%81dito+-+Rafa+Pavarotti.jpeg</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>5. Djamila Ribeiro. Image: Rafa Pavarotti</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614132905269-B817X95GL7XDERXTNKHW/capa-intersec1-e48fe2848d0cbf378315548688609874-1024-1024.jpg</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>6. Book cover: Interseccionalidade. Author: Carla Akotirene - Feminismos Plurais</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614133012433-FZU0HCGYTTYE8KXQCX6D/racismo-estrutural-silvio-almeida-encarceramento-em-massa1-c06f0f17e5ed18db7f15557250924918-1024-1024.jpg</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>7. Book cover: Racismo Estrutural. Author: Silvio Almeida - Feminismos Plurais</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614133118024-THYAABIR38TP4R1UPIC7/escritos-de-uma-vida1-529832c9d52f2f306615899298471004-1024-1024.jpg</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>8. Book cover: Escritos de uma vida. Author: Sueli Carneiro</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614133252173-YIW3L289ZL6PFNOX3ZY0/capa-racismo-recreativo1-973b6108558a7b33b515548688952757-1024-1024.jpg</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>9. Book cover: Racismo Recreativo. Author: Adilson Moreira - Feminismos Plurais</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614133331518-BO6WE90IUPURU0CTUJ8Z/feminismos-plurais-juliana-borges-encarceramento-em-massa1-d1ad435dadf3754f5d15557245779318-1024-1024.jpg</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>10. Book cover: Encarceramento em massa. Author: Juliana Borges - Feminismos Plurais</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614133414980-0653XZGDKVR6TS70OUFU/empoderamento-joice-berth-encarceramento-em-massa1-c5b7e6115ea920964a15557255556914-1024-1024.jpg</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>11. Book cover: Empoderamento. Author: Joice Berth - Feminismos Plurais</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614133523301-MSE3JNMCON1XBYJYL039/Arquivo.jpg</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>12. Book cover: Le féminisme noir, Chroniques du Brésil. French publication by the author: Djamila Ribeiro</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614133585205-S3VO6Q9MGPQUK2S5YKZ3/Arquivo..jpg</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>13. Book cover: Lugar de Enunciación. Spanish publication by the author: Djamila Ribeiro</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614133701940-RRBEQ8TO10PFT9J8H9LJ/COP_Il-luogo-della-parola+-+Capa.jpg</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>14. The author Djamila Ribeiro featured on the cover of Intersezioni, Italy</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614133915967-2HUJF0UBGRRT8AZIMDL1/Capa+ELLE+-+foto+de+Edgar+Azevedo.jpg</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>15. The author Djamila Ribeiro featured on the cover of Elle Brasil</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614134047943-WD9E2J7DYM3N96HK2N16/Perfil+-+Arquivo.jpg</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>16. The author Djamila Ribeiro on Brazil's TV Cultura Roda Viva programme of interviews</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614134153591-G05CWB9DUNS1A7KP70S0/Louder+than+Words++Prince+Claus+Fund++%28c%29+Maarten+van+Haaff+%2883%29.jpg</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>17. The author Djamila Ribeiro at the Prince Claus Fund in the Netherlands. Image: Maarten van Haaff</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614134003629-FQTVZX9FCKHNPC2Z00QW/capa-lugar-de-fala1-b816c0d6de01c07a3e15548688229064-1024-1024.jpg</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>18. Book cover: Lugar de Fala. Author: Djamila Ribeiro - Feminismos Plurais</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614134404464-1HB63JY97YB5WZFI7VD1/Cre%CC%81dito+Luciano+Vianna-SESC--.jpg</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>19. The Author Djamila Ribeiro at a talk at SESC, Brazil. Image: Luciano Vianna</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614134619074-0O4I5SV9DNQNX7FNYW91/IMG_2456.JPG</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>20. Ialorixá and actress Alba Darabi filming Part I of Candomblé. Image: Orquídea Marques</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614134714599-XNCFVWN8XX4ETHK2U5DH/IMG_2628.JPG</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>21. Ialorixá and actress Alba Darabi filming Part I of Candomblé. Image: Orquídea Marques</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614139364726-IIRGUFL0LTLOWD2NYVE6/Alba+Darabi.jpg</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>22. Actress Alba Darabi acting on set in the Brazilian telenovela, Velho Chico - TV Globo, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614134830876-VKTK50AXHFMB075TFLS2/IMG_2367.JPG</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>23. Ialorixá and actress Alba Darabi filming Part I of Candomblé. Image: Orquídea Marques</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614135480468-DSW3G07BZRTY00XX9SXQ/IMG_2843.JPG</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>24. Ialorixá and actress Alba Darabi filming Part I of Candomblé. Image: Orquídea Marques</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614134917026-PZQ9ZM01SVZXL2U2FAZF/IMG_2414.JPG</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>25. Ialorixá and actress Alba Darabi performing Part II of Candomblé. Image: Orquídea Marques</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614135001068-HW8CTGQWW1LAMZ4SZONJ/IMG_7934.JPG</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>26. Actress Alba Darabi performing Part III of Candomblé. Image: Orquídea Marques. Municipal Theatre of Ilhéus</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614135055757-BW0ODZB8JEOTGJ3O2L82/IMG_7923.JPG</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>27. Actress Alba Darabi performing Part III of Candomblé. Image: Orquídea Marques. Municipal Theatre of Ilhéus</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614135105068-5W5D4HA2MIIZF66C0KB4/IMG_7926.JPG</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>28. Actress Alba Darabi performing Part III of Candomblé. Image: Orquídea Marques. Municipal Theatre of Ilhéus</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614135165907-V7BV6TGB4BD2JPT0O3MR/IMG_7923.JPG</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>29. Actress Alba Darabi performing Part III of Candomblé. Image: Orquídea Marques. Municipal Theatre of Ilhéus</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614135283504-PF3A10QLTU31J9U413GL/Copy+of+Alba+Teatro+4.JPG</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>30. Actress Alba Darabi reflecting on her life and career. Municipal Theatre of Ilhéus. Image: Orquídea Marques</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614135415422-GBKJ1W7MPQ9KHLUB27NR/IMG_7966.JPG</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>31. Actress Alba Darabi reflecting on her life and career. Municipal Theatre of Ilhéus. Image: Orquídea Marques</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614135745352-VPVG4AD5A5M05ONJJ8IG/Portrait+of+Maxwell+Alexandre+2020.+Copyright+the+artist.+Courtesy+the+artist+and+David+Zwirner.JPG</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>32. Visual Artist Maxwell Alexandre's portrait. Courtesy of Maxwell Alexandre Studio and David Zwirner Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614135810309-DQMLNT7JG1FCTJWR1L3Z/ALEMA0001_DETAIL_V6.jpg</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>33. Pardo é Papel: Close a door to open a window show. Artist: Maxwell Alexandre, David Zwirner Gallery, London, 2020. Courtesy of David Zwirner Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614135850474-J1DJ48RQEGFTPP472X4J/ALEMA0004_DETAIL_V5.jpg</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>34. Pardo é Papel: Close a door to open a window show. Artist: Maxwell Alexandre, David Zwirner Gallery, London, 2020. Courtesy of David Zwirner Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614135948202-27G4SVY8AWF6WNA7H9FH/ALEXANDREDZLSHOW2020_V7.jpg</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>35. Pardo é Papel: Close a door to open a window show. Artist: Maxwell Alexandre, David Zwirner Gallery, London, 2020. Courtesy of David Zwirner Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614136023908-QLGLHOPX4M65NFC6K47K/Afirmac%CC%A7o%CC%83es+de+terreno.jpg</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>36. Afirmações de Terreno artwork series. Artist: Maxwell Alexandre, Rio de Janeiro. Courtesy of Maxwell Alexandre Studio</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614136394544-WGLLDOR4OZ4JZOK2EA1M/Na%CC%83o+ha%CC%81+nada+de+novo+sob+o+sol.png</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>37. Não há nada de novo sob o sol series. Artist: Maxwell Alexandre, Rio de Janeiro. Courtesy of Maxwell Alexandre Studio</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614136073354-L52BZB8TACEKPWSHHRNJ/Laje+so%CC%81+existe+com+gente.jpg</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>38. Laje, só existe com gente artwork series. Artist: Maxwell Alexandre, Rocinha, Rio de Janeiro. Courtesy of Maxwell Alexandre Studio</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614136283445-NCPXGJD4KL68UXA84YGW/Studio%2C+2017.jpg</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>39. Artist Maxwell Alexandre's Studio, Rio de Janeiro. Courtesy of Maxwell Alexandre Studio</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614136527502-I22YLE2OV63Q2W01TZ0B/Corrida.png</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>40. Artist Maxwell Alexandre performing Corrida, 2020, Rio de Janeiro. Courtesy of Maxwell Alexandre Studio</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614137187160-0G67UIJOCA86L7OPOMQC/RODNEY+31.JPG</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>41. Babalorixá and doctor in social sciences, Pai Rodney William. Image: Personal Archive</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614137239761-LHQ8UE55URO1RX67JLZB/capa-apropriacao11-65230889c6f9c1a48f15689026290748-1024-1024.jpeg</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>42. Book cover: Apropriação Cultural. Author: Rodney William - Feminismos Plurais</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614137411504-TA8B2HM97WNMITG6D6E5/Livro+-+A+benc%CC%A7a%CC%83o+aos+mais+velhos.jpg</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>43. Book cover: A benção dos mais velhos. Author: Rodney William</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614137506249-8NJMDCE6AASNAFLTCENM/ARQUIVO+PESSOAL+2.jpg</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>44. Babalorixá and doctor in social sciences, Pai Rodney William worshiping the Orisha Eshu. Image: Personal Archive</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614137579416-WMNZ8RR2ZVOD0UBTVV8G/05.jpeg</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>45. Babalorixá and doctor in social sciences, Pai Rodney William, reflecting upon cultural appropriation for Brazil, the untold story. Image: Personal Archive</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614137801599-QL33ACV8JCRA3KG9MGAS/ARQUIVO+PESSOAL+14.jpg</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>46. Babalorixá and doctor in social sciences, Pai Rodney William autographing his book Apropriação Cultural. Image: Personal Archive</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614137629616-79FSQAIC4E40P2Q4I79J/02.jpeg</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>47. Babalorixá and doctor in social sciences, Pai Rodney William, presenting homemade acarajé for Brazil, the untold story. Image: Personal Archive</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614137698609-QUSAOX4XZW898RTATNKX/ARQUIVO+PESSOAL+9.jpg</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>48. Babalorixá and doctor in social sciences, Pai Rodney William, during celebrations in his place of worship, terreiro. Image: Personal Archive</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614137945628-RBL3IU104WDD5GEU6SHT/Carlinhos+Brown+_+Por+Imas+Pereira+%282%29.jpg</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>49. Artist Carlinhos Brown during a street music performance. Image: Imas Pereira</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614138357577-0S7D7SBQ0HENDYF9GCDJ/2005-Carnaval-Valencia-2.jpg</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>50. Artist Carlinhos Brown performing alongside Brazilian singer Ivete Sangalo during a street carnival party in Valencia, Spain, 2005. Courtesy of the artist</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614138148941-K6TF5AMDELWAORWTM9G2/Carlinhos+Brown+_+Por+Se%CC%81rgio+Coimbra+%2814%29.jpg</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>51. Artist Carlinhos Brown. Image: Sérgio Coimbra</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614138261355-YYVMIMB1HHMG2PYX7A09/Carlinhos+_+Exposic%CC%A7a%CC%83o+em+Madri+_+JAVIER+ARIAS++%287%29.jpg</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>52. Artist Carlinhos Brown's solo exhibition, La mirada que escucha, at Telefonica Foundation, Madrid, 2019. Image: Javier Arias</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614138218052-YBJ1AVA3606NA5V76GBO/Carlinhos+_+Exposic%CC%A7a%CC%83o+em+Madri+_+JAVIER+ARIAS++%284%29.jpg</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>53. Artist Carlinhos Brown's solo exhibition, La mirada que escucha, at Telefonica Foundation, Madrid, 2019. Image: Javier Arias</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614138415940-XCRNO35JQWAMXMQR9OXS/_MG_7516.jpg</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>54. Artist Carlinhos Brown performing in the Candeal for Brazil, the untold story, Salvador. Image: Iajima Silena</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614138464049-WML0FHYIP3IJFGT364UO/_MG_7337.jpg</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>55. Artist Carlinhos Brown performing in the Candeal for Brazil, the untold story, Salvador. Image: Iajima Silena</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614138558346-VS1714YKAEBDA62G2ZK1/_MG_7479.jpg</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>56. Artist Carlinhos Brown performing in the Candeal for Brazil, the untold story, Salvador. Image: Iajima Silena</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa6ef96cc8fed3049295661/1614138607300-WYFAIH8A84EDQGFEUQXT/_MG_7468.jpg</image:loc>
      <image:title>Brazil, the untold story</image:title>
      <image:caption>57. Artist Carlinhos Brown performing in the Candeal for Brazil, the untold story, Salvador. Image: Iajima Silena</image:caption>
    </image:image>
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      <image:title>Brazil, the untold story</image:title>
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